The
Changing Faces and Connections Of Doukhobor Culture |
Larry
A. Ewashen |
|
Such
films mark an important development, that of the Doukhobors emerging
as interpreters of their own culture, whereas previously they had been
written about and interpreted for the general public often inaccurately
by other writers such as Gabrielle Roy, Mavis Gallant or Hugh Greig.
Some of these works were stimulated by sensational portrayals which
did not present a true picture of the Doukhobor story, such as the early
portrayal of the Doukhobors by the Theatre Passe Muraille in
Toronto, or a current fanciful theatrical production in Saskatchewan.
The pioneering work of Koozma Tarasoff's Pictorial History Of The
Doukhobors come to mind which began to accurately reflect the Doukhobor
presence by Doukhobor scholars as well as the writings and recordings
of Doukhobor history by indigenous writers such as Eli Popoff.
As we observe the contemporary
scene in reference to Doukhobor culture, it is satisfying to note that
the Doukhobors are now assuming a role in interpreting and contributing
to their own culture in equal amounts to those of other scholars, that
artists such as Bill Perehudoff receive the Order of Canada, artists
such as George Koochin and Jan Kabatoff find an appreciative audience
within the Doukhobor community and without, and that other Doukhobor
artists, authors, actors, stage managers, journalists, academics and
directors continue to find a successful place within the multicultural
fabric of Canada, making their contributions to Canadian culture, reflecting
their Doukhobor heritage as well as the prevailing Canadian culture,
or in some cases, counter culture. This is the final stage of evolution
where the emerging Doukhobor cultural worker meets acceptance and at
times demonstrates superiority within the new society.
The
present Doukhobor culture has embraced modern expression, while not
forgetting its roots and not ignoring its origins. As well, original
psalms, hymns, stories and tales of the oral tradition still exist,
but now are dispersed throughout a wider audience through the most contemporary
means available, including the world wide Internet facilities.
Larry A. Ewashen
Author's
Note:
The
Changing Faces and Connections Of Doukhobor Culture |
Larry
A. Ewashen |
|
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