By the sixties, many Kootenay residents noticed
that the villages were disappearing as they were purchased for individual
dwellings and building materials, others destroyed by arson, artifacts
were disappearing funneled across the continent by voracious collectors.
Several concerned citizens realized that they would have to move quickly
if any remnant or record of this lifestyle could be preserved for future
generations.
By the time the Kootenay Doukhobor Historical Society was formed
in 1966, there was not a complete village in sound condition left suitable
for a museum. The society listed among its projects; 'The building of
a communal house as the first stage in the reconstruction of a complete
village'. This premise was adopted as a Castlegar-Kinnaird BC Centennial
'71 project, 1971 marking the Centennial of the province of British
Columbia.
A second objective was: 'The collection and restoration of furniture,
clothing, tools and handicrafts to furnish the house and preserve articles
of Doukhobor culture'.
Since these modest beginnings, the present Doukhobor Village Museum
has become home to over 1,000 donated artifacts, and the present day
structure is a complete village consisting of ten buildings and its
own irrigation and water system.
The Kootenay Doukhobor Historical Society was originally formed
as a result of a Selkirk College Faculty Association meeting in 1966.
John Mansbridge and Anna Gattinger began contacting the towns in the
West Kootenays for support. Ed Mosby, Castlegar City Councillor and
Mayor Little of Castlegar were early supporters. The neighbouring town
of Kinnaird also supported the project. Various prominent Doukhobors
such as Pete Oglow became involved in the creation of the Doukhobor
Village Museum. Christine Faminoff became the permanent guide,
a position she held from the museum opening in 1971, until her death
in 1999.
By 1968, the Kootenay Doukhobor Historical Society was a functioning
reality, by 1971 construction of the Village began as a Centennial Project
for the towns of Castlegar and Kinnaird. Thus, the reconstruction of
an authentic Doukhobor Village was accomplished through significant
volunteer labour and through local donations as well as Provincial and
Federal grants.
Since its inception, the KDHS has created a unique tourist destination
not only for British Columbia, but for the world at large, as a window
to the vibrant Doukhobor culture of Canada as well as its links to its
Russian ancestry. The last major construction took place in 1995, with
the assistance of an Infrastructure Grant, which provided a modern
water system and the basic completion of the Village buildings.
The Doukhobor Discovery Centre continues to provide a community, educational
and tourist resource for the local residents and global travelers.
Through word of mouth advertising, and promotion including his Internet
site, and frequent appearances in film documentaries, the Museum has
attracted worldwide attention. A recent guest book includes visitors
from Russia, Kazakhstan, Alberta, BC, Quebec, Oregon, Washington, England,
Ontario, Texas, Germany, Montana, Australia, Austria, Wisconsin, Holland,
Idaho, Switzerland, Minnesota, California, Belgium, South Carolina,
Scotland, Hawaii, Italy, New Zealand, Sweden, France, Ireland, and Norway.
The Discovery Centre has featured new exhibits yearly, presenting aspects
of Doukhobor history and culture. The 2002 season featured special events
to celebrate over thirty years of operation, as well as a major exhibit
which featured the Agricultural History of the Kootenays, with
special emphasis on the agrarian accomplishments of the Doukhobors.
With increased support from local institutions, and with an emphasis
on heritage and scholarship as well as attractive visual displays, a
well stocked bookshop of publications and Doukhobor crafts and paintings,
the Doukhobor Discovery Centre looks forward to serving an ever increasing
tourist audience in the coming years and to continue providing a unique
attraction to this area, serving historian and educational purposes
as well as the visiting tourist public.
Combining the Russian heritage with the Canadian experience, it presents
a fascinating portrait of an age gone by including heritage and history,
and the attendant development of the region as well.